Even for a me, girl with a slight hatred of romance, this film was more than satisfying.They did it. Overall, this was an extremely enjoyable film, with exceptional acting, cinematography and writing. Both Maddy and Olly had familial issues that were equally as important to the story. Although “Everything Everything” had a plot surrounding romance, it certainly wasn’t focused on it. I am not a lover of romantic films, in fact, I generally hate them as they are too sappy for me. Not only did they discuss SCID, her disease, throughout the movie, they also included diagrams and provided explanations for any of the audience’s potential questions.Īlso, I was afraid the movie would be too romantic, but, once again, they proved me wrong. After watching the trailers, I was concerned they would brush off Maddy’s illness, but they managed to exceed my expectations. I’m not going to lie: I had a few doubts going into this movie. The actors would talk to each other in person, but use language such as “ellipses” or “question mark” to indicate the conversation was through text. But “Everything Everything” handled it very well. This is very difficult for a movie to portray, and watching a stream of text messages can get stale fast. This movie is essentially the better version of “The Space Between Us,” as the couple’s relationship develops over the internet. This exchange was the beginning of their relationship - for weeks, they proceed to constantly text and call each other. In an adorably romantic scene follows where Olly throws small stones at her window and writes his phone number on his window. But when Olly becomes infatuated after seeing her through the window, things get interesting. Maddy is unable to leave her hermetically-sealed house due to a severe illness, with only the company of her mother (Anika Noni Rose), her nurse Carla and Carla’s daughter. The story followed two 18 year olds, Maddy (Amandla Stenberg) and Olly (Nick Robinson), and their star-crossed situation. Exceptional acting and purposeful cinematography, alongside the beautiful writing, ensured equity.

The movie could not be defined as a feel-good, but it was far from a heart-wrencher. “ Everything Everything, ” has the perfect balance of sweet and sour.

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